I can’t wait — like, cannot wait — for “Bridesmaids” to come out. Kristen Wiig, Maya Rudolph, Jon Hamm (!!!), and food poisoning jokes? Yes, please. Also, three golden retriever puppies appeal to my inner nine-year-old girl. This “dirty version” of the “Bridesmaids” trailer — NSFW on account of salty language and Jon Hamm getting some reverse cowgirl action — has me feeling excited in my panties, for real. [IndieWire] Keep reading »
Like may others on the interwebs, I am very excited for Anna Faris‘ upcoming flick, “What’s Your Number?” The movie is sort of like a female version of “High Fidelity,” and appeals to us because it’s about a woman having a hard time on the dating trail. When Anna Faris’ character reads in a magazine that 96 percent of women who’ve had sex with more than 20 guys don’t end up getting married, she freaks because, well, her number is 20. So she decides to go back and see if any of the ones she’s already boned—from Andy Samberg to Chris Pratt (Anna’s real life husband) to Joel McHale—was actually the one. The New Yorker totally spilled the beans on what happens in the end, but we’re still looking forward to it anyway. [NY Post] Keep reading »
Dear New Yorker,
Obviously, you are an awesome magazine. However, I have one small, teensy weensy beef. Could you please—possibly—stop ruining the ending of movies for me? Last night, on a 10-hour flight from Buenos Aires to New York, I sat down determined to catch up on your last three issues. In one, I read a review of Jake Gyllenhaal‘s newish movie, “Source Code.” I had been planning to see it. Emphasis on the had. While you didn’t go into details, you told me how it unfolds in the end. Which sort of takes the wind out of a movie’s sail, doesn’t it? But even worse, in a fantastic article about Anna Faris and her specific brand of girl humor, you let me know the surprise twist ending of her upcoming click, “What’s Your Number?” Which. Doesn’t. Even. Come. Out. Until. SEPTEMBER. Reading this reminded me of the collective sigh of 100 students in my Intro to Film Studies class in college when our professor told us the secret to “Chinatown” before we watched. Keep reading »
Robert Pattinson‘s new movie “Water For Elephants” is scoring big with audiences, with 93 percent of Rotten Tomatoes viewers giving it a thumbs up, but how does it score amongst critics?
In the film adaptation from the book with the same name, Rob portrays a veterinarian who experiences a tragic loss and runs away, then finds himself working with a circus. After joining the rag tag team, Jacob finds himself falling in love with the ringleader’s wife, played by Hollywood’s sweetheart Reese Witherspoon.
Renowned critic Roger Ebert gave the movie three stars, calling the film “endearingly old-fashioned,” and “a movie made of real people and plausible sets.” Meanwhile, the movie review site Rotten Tomatoes was not as kind as their viewers. Read more… Keep reading »
Candy Darling was a part of artist Andy Warhol’s inner circle–a muse and a flamboyant character in Warhol’s Factory scene. She was also a dark and troubled figure, immortalized in the Velvet Underground’s “Walk on the Wildside.” The new documentary, “Beautiful Darling,” chronicles Darling’s humble beginnings as a young boy and her rise to Warhol superstar. We can’t wait to see it. Keep reading »
This weekend, I finished Mockingjay, the third and final book in The Hunger Games trilogy. I had to put the book down multiple times so I could cry and then, at the end, I cried again because it was all over and I couldn’t go back in time to when I hadn’t read them yet and start all over. What a great series. Seriously, if you haven’t read them, DO, and before the movie version of the first book comes out.
Speaking of, casting decisions for the film are readily being made…
Keep reading »
The Help by Kathryn Stockett
was one of my favorite books of 2010 — and millions of other readers agree. This summer, “The Help” hits the big screen, starring Emma Stone
as Skeeter, a white recent college graduate writing for the local newspaper in her Mississippi town, and Viola Davis
(“Doubt”) as Aibileen, a black maid who works for one of Skeeter’s friends. Skeeter comes home from college to find all the friends she grew up with are married with children and employers to black “help,” who are second-class citizens in 1960′s Jackson, Mississippi
. The story follows Skeeter as she interviews Aibileen and other black maids for a secret book project that exposes the ugly day-to-day racism
in Jackson’s domestic life to the rest of the world. While I was originally unconvinced that teen sex comedy queen Emma Stone was the right casting for the role of Skeeter, judging by the trailer for “The Help,” she carries it off with just the right amount of sass and spunk. [AOL
] Keep reading »
This weekend, I finally got around to watching “Harry Potter and the Deathly Hollows: Part 1″ — Dobby the House Elf, never forget
— and it’s got me super psyched for Part 2, which is, of course, the final film in the “Harry Potter” series. Part 1 was amazing and I understand, in theory, why they split the story into two parts — it’s a lot of material to cram into one movie if you’re not going to edit much of anything out — but Part 2 is really where all the incredible action occurs. Lucky for those of us who are counting the days until July 15, the first scene from Part 2 has just be released on the internet. Watch it above! Get ready to have your ass handed to you, Voldemort. [via Huffington Post
] Keep reading »
What would it take for Joaquin Phoenix to come out of retirement?
Despite speculation earlier this year that Phoenix would resume his once-hot acting career with a film adaptation of ‘Abraham Lincoln: Vampire Hunter’ (the 2010 novel by Seth Grahame-Smith), the actor is now being linked to a much more controversial project.
And if there’s one thing Phoenix seems to relish, it’s controversy!
Phoenix — whose last film was the outrageous, head-scratching mockumentary ‘I’m Still Here’ — is now rumored to be reversing his retirement plans to co-star in Paul Thomas Anderson’s much-anticipated movie taking aim at Scientology. Read more… Keep reading »
“Nothing’s sacred anymore. Those girls and I got so close. They were painting me naked every day for months. It was kind of like going to a really bizarre sleepover… It’s what you guys imagine we do: One naked girl and seven pairs of hands all over her.”
—Jennifer Lawrence, who was nominated for an Oscar this year for her performance in “Winter’s Bone,” explains what it’s like to undergo hours of body painting each day on set for her role as Mystique in “X-Men: First Class.” What, no pillow fight? [Huffington Post] Keep reading »