During last night’s presidential debate, the candidates were asked what they’d do to improve the status of women and ensure equal pay. And while President Obama discussed his work on the Lilly Ledbetter act, Mitt Romney accidentally said one of the most talked about phrases of the evening. Speaking to the crowd, he said that he once had the opportunity to put a board together, but was dismayed to see only male candidates presented. So:
“We took a concerted effort to go out and find women who had backgrounds that could be qualified to become members of our cabinet. I went to a number of women’s groups and said: ‘Can you help us find folks,’ and they brought us whole binders full of women.”
For whatever reason, the phrase has taken off, and now there’s a Tumblr and a Facebook page devoted to Romney’s binders, where information about the wage gap and Romney’s policies are offered up. And before the debates were even through, someone had set up an @RomneysBinder Twitter account. It currently has more than 30,000 followers. I happen to think Romney’s binder is probably just filled with pictures of Delta Burke, but maybe that’s just me? [ABC News]
Check out some of the best images from the Binders Full Of Women Tumblr above!
I’m reading this book called Joe Cinque’s Consolation, which tells the true story of a real life trial of two women – Anu Singh, who injected her boyfriend Joe Cinque with heroin and watched him die, and Mandhavi Rao, Anu’s best friend who might have assisted her in the process. The story is complicated, of course, by mental illness and dependence and all kinds of other things, and you should read the book by Helen Garner if you get the chance. But what I want to talk about is Garner’s spot-on assessment of Singh and Rao’s relationship, one that she calls a “symbiotic power arrangement,” because I think we’ve all had one of these at one time or another (even if it didn’t lead to murder).
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The other day, I watched “Fela Kuti: Music Is The Weapon,” a 1980s’ documentary about Nigerian musician and activist Fela Kuti. Kuti’s life has been turned into a hit Broadway play called Fela (see it if you can), and his songs of revolution, strife and struggles of everyday life in Nigeria still resonate today. “Music Is The Weapon” chronicles Kuti’s 1983 failed run for president of Nigeria, and the intimidation and torture he and his family endured at the hands of police. Kuti’s family was rather, um, nontraditional; in the ’70s, he married 27 women — members of his extended band and dancers for his performances — in one large Yoruba ceremony. He called them his “queens,” and apparently he only kept 12 wives on tap in his commune (dubbed the Kalakuta Republic) at any given time, rotating them in and out of matrimonial service. After police pressure on the Kuti compound increased, many of his wives deserted him.
After a stint in prison in 1985 he divorced all of his wives, claiming that he no longer believed in marriage. The women featured in “Music Is The Weapon” were some of Kuti’s closest companions and advisers, the mothers of his children and followers of his belief in radical change for Nigeria. They also had incredible style — as these shots of the women in full performance makeup — prove.
I’m sure many women were experiencing road rage last week when word broke out that a German mayor designated various parking spots for only men, and others for only women. Mayor Gallus Strobel of Triberg, Germany presented a new 220-spot parking lot, with more difficult spots designated for males, because, “men are, as a rule, a little better at such challenges,” he said. Riiiiight.
Strobel’s comment is not only sexist, it’s also not completely true: a study conducted by National Car Parks, the U.K.’s largest parking lot operator, tested 2,500 men and women’s “parking coefficients” by scoring their performance on seven parking behaviors. And guess what, haters? We’re actually pretty good at it. Keep reading »
The border city of Juarez, Mexico — found just across the river from El Paso — has a woman problem. Women disappear, are sexually abused, and they often — way too often — wind up dead. The women are young and hopeful — some of Juarez’s victims are as young as 13. And their discarded bodies are often found dumped in dried up river gullies and empty lots, hastily buried in mass desert graves and abandoned buildings. Keep reading »
While we’ve been covering all of the fashion at Cannes, there seems to be a more unsavory undercurrent on the scene: in the 64 years of the festival, just one woman has claimed the most esteemed Palme d’Or award, and this year’s total lack of female directors in the awards’ lineup has sparked international backlash among feminists. Whether Cannes has provided warranted grounds for contention is still up in the air. A petition hosted on Change.org entitled “Cannes Film Festival: Where Are The Women Directors?” has garnered over 2,000 signees, with feminist icon Gloria Steinem, “The Vagina Monologues” playwright Eve Ensler, and award-winning Australian director Gillian Armstrong among them. However, last year’s nominations for the top prize featured four movies by women, while last month’s Tribeca Film Festival in Manhattan had a heavy female presence, with many of the event’s 90 films both focusing on female protagonists and directed by women. At the time, Daryl Wein, the director of “Lola Versus” starring Greta Gerwig, said, “It’s a moment happening now for women in film.” Keep reading »