“I had an agent that told me not to speak in meetings because I was too intelligent and it was stressing to the men. It was a woman that told me that. I didn’t say anything, then I went to my car and kind of cried and then I was, like, ‘Fuck you’… [I]t’s been amazing changing gears and doing things that honor my brain….I spent the better part of 15 years not being myself, and I’m just kind of over that.”
“Charmed” actress Rose McGowan told “HuffPost Live” that two years ago, she was scolded by an agent for speaking well in meetings. She says that only lately has she gotten comfortable acting like her true self and speaking her mind instead of blending into what she thought others wanted her to be in the male-dominated film business. Her full interview is pretty kickass, and full of clever observations about the overt sexism she’s seen over the years in Hollywood. [Huffington Post]
If you think you don’t know who Jenny Slate is, you just haven’t attached the name to the person. She’s Mona-Lisa on “Parks and Recreation”; Tammy on “Bob’s Burgers”; a bunch of characters on “Kroll Show”; and she was on one season of “Saturday Night Live.” (You may remember her from the Doorbells And More sketch?). Lately, Slate is everywhere — literally everywhere — as the star of a new film, “Obvious Child” which appears nationwide this month.
In “Obvious Child,” Slate plays 27-year-old Donna, who accidentally gets pregnant right after she’s been dumped and lost her job. She genuinely likes the guy who got her pregnant (played by Jake Lacy from “The Office”), but is in a bad place to bring a kid into the world. Donna wants to have an abortion and unlike many movies where a women ends a pregnancy, that choice isn’t portrayed as a scary or dangerous thing. “Obvious Child” manages to be both hilarious and heart-tugging, a testament to both director/writer Gillian Robespierre’s writing and Slate’s earnest relatability onscreen.
Jenny Slate and I chatted recently about movies depicting abortion, women in Hollywood, and feminism. Here’s our conversation, after the jump: Keep reading »
The Cannes Film Festival begins today in France. Movie stars along the French Riviera sounds lovely, of course. But Cannes, and every other film festival, is always a reminder of women director’s underrepresentation in the movie business. In the past decade at Cannes, there have been several years when ZERO female directors have had a feature film screened — and that’s in pools of, like, 22 competing films. Keep reading »
Sofia Coppola: I feel like you and I are so on the same page about how to approach things. Have you ever worked with a director you didn’t agree with? And if so, what did you do?
Kirsten Dunst: I have, and it takes all the fun out of what you do. You just get through it instead of having a meaningful experience.
SC: What if a director pounces on you while working? Has that ever happened?
KD: No [laughs]. I don’t give off that vibe. I think that you court that stuff, and to me it’s crossing a boundary that would hinder the trust in your working relationship.
Kirsten Dunst is a real dingaling, isn’t she? First, in an interview with Harper’s Bazaar last month, she professed her love for traditional gender roles, telling the mag, “You need a man to be a man and a woman to be a woman.” And now, in an interview with her “Marie Antoinette” director, Sofia Coppola, for W, Kirsten rather smugly says that she hasn’t ever been sexually harassed by a director because she doesn’t give of “that vibe” or “court that stuff.” In other words, if you’re an actress that has been sexually harassed by someone with power in the industry, you must have asked for it. It’s almost like she’s conflating sexual harassment with a consensual affair, as if the two things are the same and/or cross the same boundary. But they aren’t the same. At all. Seriously, Kirsten, hush. [Defamer]