It was only a matter of time before Vogue Japan editor-at-large and totally OTT fashionista Anna Dello Russo got to put her medal of approval on a line of her own, and it’s only natural that she of the outrageous fascinators and tacky-goes-high fashion opulence would cut her design teeth on — what else? — accessories. We’re pretty sure that Anna’s diehard devotion to kooky couture and right-off-the-runway looks has never led her wayward into a lowly H&M, but what does it matter when her choice to collaborate with the retailer means that we can walk in off the street and snag one of her signature gilded pieces at a reasonable price?
With 50 pieces ranging from $24.95 for pendant earrings to $299 for a formidable pair of thigh-high leather boots, they’re affordable enough that you can follow Anna’s advice to accessorize liberally or play it a little more low-key. But don’t bother to ask yourself what Anna would do — she’d pile ‘em right on, of course. Click through to check out all of the offerings, and do tell us which ones you’ll be fighting for come October 4. We’ll be picking up that peacock fascinator just to say we did. [Racked, photo via WWD]
It took hardly any time at all for Carine Roitfeld to find her footing outside of the Condé Nast empire. The fashion writer and stylist departed suddenly from Vogue Paris in 2010 following a ten-year tenure as editor-in-chief, citing a desire to concentrate on personal projects outside of the notorious magazine’s “gilded bird cage” (though rumors of internal discord abounded). In the two years since her resignation, Carine has stayed true to her vow that leaving the lofty post would not be the death knell of her career; in fact, with numerous freelance styling credits (including two Chanel campaigns), a large-format photo book, and a MAC collection to her name, the iconic Parisian has risen quite impressively from the ashes of her former title. Keep reading »
Hot on the heels of our sneak peek at this fall’s NARS x Andy Warhol collection comes the release of another brilliant collab: consider it prime time to get excited about Carine Roitfeld’s highly anticipated line for MAC, out September 6. The former Vogue Paris editor-in-chief, who also happens to be be debuting her new magazine, CR Fashion Book, exactly a week after the MAC release, has curated a series of tempting offerings right in line with her own beauty ideology — heavy on the black shadow, framed by thick brows and perfect skin, Carine evangelizes a look that’s messy, a little bit gritty, and in her own words, “tired sexy.” Keep reading »
This is Lady Gaga on the cover of Vogue, looking svelte and amazing and sort of vase-shaped. Only, this isn’t what she actually looked like during the shoot — at all. Not that she looked bad; she looked gorgeous. But come on — if Gaga was actually built the way she appears on the cover of Vogue, she wouldn’t be able to walk, and she’d tip over all the time. Check out a video of the shoot, after the jump!
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This year’s September issue of Vogue is, for lack of a better word, epic. It’s, like, 1,000 pages, 600 of them ads, and not one of which includes a beauty spread. (I mean, come on, that’s why I buy these damn magazines.) What it does include is an exhaustive history lesson in all things Vogue, spanning from the magazine’s very society-mag roots in 1892 to the upper echelon, high fashion-driven, Anna Wintour-helmed incarnation of today. In its 120-year history, they’ve featured a number of models on the cover more than once, but only an illustrious few have landed the coveted spot in double digit figures. Behold, the ten most frequent cover girls of all time — the answers may surprise you, but then again, maybe not. Keep reading »
“[Israeli model] Michaela [Bercu] was wearing an haute couture Christian Lacroix jacket with a beaded cross … and stonewashed Guess jeans. The jacket was actually part of a suit, but the skirt didn’t fit Michaela; she had been on vacation back home in Israel and had gained a little weight. Not that that mattered. In fact, it only served to reinforce the idea to take couture’s haughty grandeur and playfully throw it headlong into real life and see what happened … Afterwards, in the way that these things can happen, people applied all sorts of interpretations: It was about mixing high and low, Michaela was pregnant, it was a religious statement. But none of these things was true. I had just looked at that picture and sensed the winds of change. And you can’t ask for more from a cover image than that.”
— Anna Wintour took to Vogue‘s Internet presence on the eve of the magazine’s 120th anniversary to reminisce on her beginnings as editor, and also to divulge a little secret. Her first cover, November 1988, beckoned a new frontier: it broke the canon of past versions (a model wearing jeans on the cover of the most grandiose magazine was a novel concept!) and reinforced that Wintour wasn’t one to hesitate in revolutionizing the standard formula. I’m actually pleasantly surprised by Anna’s positive attitude toward wreaking havoc in the halls of couture and embracing a model that didn’t fit in a sample size (well, at that very moment, for what it’s worth). Israeli food is delicious. [Vogue]