The latest installment in the Kim Kardashian vs. Anna Wintour saga leaves a puzzling taste in the mouths of fashionistas everywhere. A week has passed since rumors first began to fly that Wintour, editor-in-chief of Vogue (and consequential arbiter of all things en vogue), is not only not a card-carrying member of the Kardashian fan klub, but that she refuses to deign her glossy to feature Kim in any way. (See also: spotlight-hungry publicity queen Kim’s eyebrow-raising absence from the Met Ball.)
Then, unsettlingly, the reality star announced this morning (via Twitter, naturally) that she’ll be the subject of a photoshoot in the July/August issue of Vogue Italia. But the magazine’s editor, Franca Sozzani, tweeted a correction to say that Kim will actually be in Uomo Vogue, the men’s offshoot. Kim also posted the above picture from the spread — she looks uncannily like her mother, doesn’t she? Spooky! [Fashionista]
Today in Things That Are Not At All Surprising: the queen of American fashion and the queen of American television are not gal pals. Rumor has it that the reason Kanye West turned up solo to the Met Ball on Monday night (and looked très bitter the entire evening) was that ladyfriend Kim Kardashian was left off the guest list that Vogue’s Anna Wintour, the co-chair of the event, had a hand in penning. Take these reports with a grain of salt — like most unfounded celeb gossip, they come from an “unnamed source” — but this beef sounds pretty damn reasonable to me. Kim has landed the cover, if not multiple, of nearly every major women’s glossy, but all things Kardashian have been suspiciously absent from Anna’s publication. It’s not a stretch to say that the Wintour/Vogue/Met Ball brand (definition: class) is on a diametrically opposite side of the spectrum from Kim’s brand (definition: ass). Case in point: though she wasn’t in attendance, she did live-Tweet the entire event. That’s not very Chanel, now is it? [Fashionista]
I’ve always imagined Vogue editor Anna Della Russo — she of the bizarre hats and wild fashion — as a sort of weird banshee lady, sleepily flitting through life going to high fashion events and occasionally enjoying nights out with her band of wacky friends. You know, sort of like fashion’s version of Britney Spears. Anyway, her amazing style sense is now being squeezed and bottled by H&M for a new accessories line. The collection will include jewelry, along with shoes, bags, sunglasses and a travel suitcase. Sign us up, wild woman.
Carine Roitfeld is one of the most recognizable names in the fashion industry, but she doesn’t have the same notoriety here in America as she does overseas, where the former Vogue Paris mogul is an icon with equal leverage to that other famous editrix, Anna Wintour. The felinic fashionista is also responsible for somewhat of a dynasty, what with daughter Julia succeeding in her well-heeled footsteps. Carine recently announced the September debut of her long-awaited New York-based magazine, CR Fashion Book, so it’s safe to say that in almost no time at all, the Frenchwoman is poised to become an American presence to be reckoned with. Keep reading »
Oh Vogue, you are so very good with the fashions, but the politics? Not so much. The high fashion mag’s latest gaffe is a poorly-timed profile of Syrian First Lady Asma al-Assad, which ran in the mag’s March 2011 issue. It used to be searchable on Vogue’s website, but it’s since been taken off the site. Why, you might ask? Well, Asma’s husband, Bashar al-Assad, is responsible for a vicious crackdown on his own citizens that began last year — right around when the profile on Asma was published — and has resulted in more than 9,000 Syrians have died. And according to reports, Asma is far from innocent. She’s been characterized as a “Marie Antoinette” of the regime, shopping for jewelry and clothing online while the violent uprising occurred.
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Our love of Michael Fassbender is well-documented but even we were surprised to see that he’s such a damn good editorial model. The Irish actor boasts a feature in the May issue of Vogue, starring alongside serious supermodel Natalia Vodianova in a series of stunningly gorgeous Jazz Age-inspired photographs shot by the legendary Craig McDean, and take my word for it: Fass is a natural, evoking a striking utilitarian sensibility while also giving a nod to the nouvelle vague. I’m never all that impressed by screen stars modeling with high-fashion faces, but these photos are beyond — check them out after the jump. [Vogue] Keep reading »