Lady Gaga tweeted about the inspiration behind her Vogue cover. “Who else sees me channeling RuPaul on the COVER of VOGUE. If only I was as fierce as you bitch. I did try to come for you with that weave,” she said. I get it. I mean, haven’t we all had a RuPaul channeling moment? Sometimes when I’m walking down the street in high wedges, I imagine I’m Ru strutting it up on the catwalk. Of course, some genius on Tumblr made this. WERK! [WOW]
I couldn’t feasibly be any less interested in Lady Gaga‘s Vogue cover. Frankly, I’m shocked that Anna Wintour would even go for it, considering that Gaga is so appallingly uninteresting at this point to everybody except her harem of zealots. I would rather see literally anybody, even Lea Michele, on the September issue. Okay, so maybe not Lea Michele, but why not throw Yo-Landi Vi$$er up there if you’re trying to get weird while remaining reasonably attractive and blonde? Have you never heard music before, that you think Lady Gaga is the poster child for, like, counter-culture and originality? Come at me, little monsters. I get that the message she tries to spread is “love and acceptance,” and hear me out: I am not opposed to love and acceptance, but I am strongly, fundamentally opposed to try-hards. Also, people who refer to themselves in the third person. Hate.
You know what would be really different for Vogue? Putting an actual model on the cover or, you know, a woman who can make herself compelling without wearing 10 Halloween costumes put together while declaring herself “a walking piece of art.” Yes, I resent the hell out of Lady Gaga. Whatever. [NY Mag.com]
Today is a sad day in fashion as we mourn the loss of Anna Piaggi, 81, the celebrated Italian fashion journalist and glamorously eccentric sartorial icon best recognized for her visionary double-page spreads of image and text in Vogue Italia. Piaggi emerged on the style scene in the 1960s as editor of Ariadne, Italy’s inaugural women’s magazine, and went on to work with a number of high-profile publications, including a position as contributing editor at the Italian incarnation of Vogue. Keep reading »
If you find T Magazine‘s Model-Morphosis as utterly transfixing as I do, then prepare to be stunned: photographer Leland Bobbé’s incredible new portraits will blow your mind. The ongoing series depicts men who masquerade as women as one dichotomous (and, it must be said, beautiful) persona — half masculine, half feminine, neither male nor female. Says the artist, “My intention is to capture both the male and the alter-ego female side of these subjects in one image … These are composed in camera and are not two separate images joined together.” The result is a powerful and welcome addition to the conversation of gender and a segue into Nietzche’s overman, “the man that goes beyond, who is beyond.” I’ll drink to that! Click through to check out the full series. Fair warning: there are many. [Refinery29 via Vogue Italia]