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Tracey Emin Is Our New Favorite Artist

The other day, we told you about Hadley Freedom’s essay, “The New Confessional Journalism Turns Female Writers Into Tedious, Self-Hating Semi-Celebrities” in The Guardian. In it, the writer prattles on about how female-focused media run the same stories over and over where a women grapples with hating her thighs/ex-boyfriend/inability to have a relationship at all. I have to disagree with her, as I think sharing a personal story is one of the most powerful things you can do. Not every tale can have a happy ending—and if it doesn’t, is it not worth sharing? Sure, I sometimes get weary of hearing the same story told in the same way, but when a confessional story is sincere, striking, and well-told…nothing’s better. I am inspired by women who find fresh and unique ways to share their stories on the page or off. And that’s why I am so moved by British multi-media artist Tracey Emin’s exhibit, “Those Who Suffer Love,” now on display at London’s White Cube Gallery. Keep reading »

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