LinkedIn is the world’s largest professional networking website, so it makes sense that many companies would want to advertise their business there. One suggestion: maybe try to not make your engineering ad look a little too much like an ad for an “adult friend.”
The company in question is called TopTal. Their advertisement read “We Recruit Top Engineers And Bring Them To You Fast! $1800-$2800/wk. Try For 2 Weeks, Risk-Free.” The wording is pretty ambiguous to begin with, but the photo next to it was what attracted the most attention. As the UK’s Daily Mail reported, the woman pictured, Florencia Antara, is in fact an engineer, but she was photographed in a way that made her not exaaactly look like a woman working in an office. Instead of photographing her in professional clothing Florencia wore an off-the-shoulder shirt with tousled hair. She looks kind of like an ’80s teen idol. Keep reading »
It’s safe to say that Netflix’s latest original series, “Orange is the New Black,” is nothing short of binge-worthy. I devoured the entire first season in under 96 hours (seriously). Groundbreaking on many levels, the show openly displays queer female sexuality and features a uniquely complex portrayal of a black transgender woman (played by the brilliant black trans actress Laverne Cox). What’s more, the vibrant cast of diverse characters offers viewers a rare exploration of what privilege is and how it works. Nowhere is that more apparent than in the show’s main character, Piper Chapman (Taylor Schilling), a perfect lesson in privilege.
I can’t stand Piper. I find her whiny, entitled, possessive, incredibly self-obsessed, an emblem of unchecked privilege. But I actually think that’s intentional; Piper would be the character we all root for, when in reality, she seems to be one of the least liked. As Salamishah Tillet noted over at The Nation, the main character of “Orange” probably had to be white and college-educated for the show (and memoir upon which it’s based) to get picked up, and this is a valid point. But with Piper, we’re also forced to come face to face with her privilege, and we can’t stand what we see. [Spoilers after the jump!] Keep reading »
This weekend, I found myself engaged in an impassioned conversation over Twitter with several women, among them Australia’s “Bra Queen” Renee Mayne, about a 2004 Elle MacPherson Intimates ad which resurfaced online. The image, which was reportedly made for print, magazine and newspaper ads in Australia, depicts a woman in lingerie, thigh-high stockings and high heels lying on a shag rug on the floor. The photo is snapped either through a mirror or a door, only showing the woman from her shoulders down as she lays on the ground. Her head, which is hung down or bent over, is hidden from view. Given her headless-ness, it’s fairly objectifying as far as lingerie images go —compared with, say, Victoria’s Secret ads which depict smiling women looking directly into the camera.
My main complaint about the ad was that it’s voyeuristic. As a viewer, you’re not entirely sure the subject is aware she’s being photographed while sexily dressed because the image was taken either through a door or a mirror. That’s too creepy for my liking. But a lot of women saw this ad and thought it implied a victim of rape or domestic abuse. Keep reading »
The film industry is one that desperately lacks female influence, so Cheryl Boone Isaacs’ election as President of the Academy of Motion Picture Arts and Sciences is a particularly cool victory. In its 86-year history, the Academy has only had two other female presidents — the most recent being almost 30 years ago. Cheryl Boone Isaacs is also the first ever African-American president for the Academy. Keep reading »
“The Sapphires” is reportedly one of the very best films of the the year. It’s won all kinds of awards! But the DVD cover is … problematic. The flick stars Chris O’Dowd as the manager of a ’60s girl group in Australia comprised of four Aboriginal women, including “Australian Idol” runner-up Jessica Mauboy. Based on real events, “The Sapphires” is a love story that also tackles the racism these women faced in their native Australia. Alas, the U.S./Canada DVD cover for the film (above) plops O’Dowd front and center while the four women — their darker skin tones appearing blue along with the graphic design — smaller, behind him in the background. Keep reading »