This week, the Supreme Court made the historic ruling that the Defense of Marriage Act and Prop 8 are both unconstitutional. It’s an enormous victory for gays and lesbians, their families, and anyone who cares about equality.
So how did The New Yorker, arguably the most reputable magazine in the country, memorialize the occasion on their cover? With Bert and Ernie, two puppets from “Sesame Street,” watching a television with the Supreme Court justices shown the screen.
The background, in case you aren’t aware, is that there have long been jokes that roommates Bert and Ernie are actually extra-special roommates. Predictably, some whackadoodles have gotten upset about children watching “Sesame Street” and wondering why two male puppets (and their rubber ducky) live together.
I’ll be honest: I think the cover is a little cute just because I like Jim Henson puppets, especially the ones from “Sesame Street.” I also think it’s an eye-catching image, which means it may sell better on the newsstands (and is likely the primary reason The New Yorker chose it). The media is a business after all.
But not everyone feels the same way I do. Let’s ignore the National Review’s Kathryn Jean Lopez, who posted the image under the homophobic title “Innocence. Lost.” Blogger Tyler Coates of Flavorwire, whom I implicitly trust to interpret all things LGBTQ-related, blasted the cover as “infantilizing,” “offensive,” and click-baiting for Internet outrage. Keep reading »