it has taken me a few days but i have been thinking and feeling very intensely and i would like to say i am sincerely sorry. it is obvious to me now that you were right; all those who said we can’t in good conscience go to that place and support it or look past for one moment what it deeply represents. i needed a wake up call and you gave it to me.
it was a great oversight on my part to not request a change of venue immediately from the promoter. you tried to tell me about that oversight and i wasn’t available to you. i’m sorry for that too.
know that i am digging deeper.
Oh thank goodness. Ani DiFranco has followed up her no-pology from last week — regarding her now-canceled feminist songwriting retreat at a former slave plantation — with a real and genuine actual apology today. This is the Ani DiFranco worthy of having her lyrics scrawled on Jessica’s wall. [Facebook]
Singer-songwriter Ani DiFranco has officially canceled her four-day “righteous feminist songwriting retreat” after fans and non-fans alike rightfully took issue with the event’s location — the Nottoway Plantation, one of the largest former slave plantations in the South. DiFranco posted a lengthy message on her Facebook page announcing the cancelation and offered a pretty weak explanation for why the retreat was ever scheduled at such a historically problematic location in the first place. (There is no explanation offered for why DiFranco refuses to use capital letters, but I digress.)
when i found out it was to be held at a resort on a former plantation, I thought to myself, “whoa”, but i did not imagine or understand that the setting of a plantation would trigger such collective outrage or result in so much high velocity bitterness. i imagined instead that the setting would become a participant in the event.
I’m confused. Is this an apology? Where are the words “I’m sorry”? Where’s the accountability? And what the fuck is up with the tone-policing of very real and valid concerns about hosting a feminist songwriting retreat at a location that currently describes the human beings it enslaved as “a willing workforce”? I mean, ”high velocity bitterness”? GTFO. Keep reading »
Ani DiFranco is perhaps one of the best known “feminist” singer-songwriters of the last twenty years. Her music, which I’m not personally a big listener of, has been long been anti-sexist and anti-racist. So, at first, it was cool to hear that DiFranco was hosting what she calls a “feminist songwriting retreat” from June 25-29, 2014. Oh but there’s one problem — the “Righteous Retreat in the Big Easy” will be held at the Nottoway Plantation in White Castle, Louisiana, a former slave plantation. Say WHAT?! Keep reading »
“It’s actually really funny how many people could watch my performance, and they think it was, like, sexist and degrading to women, and somehow people found that it was racist, which I couldn’t even wrap my mind around. Because I’m like: ‘How do I win? If I have white dancers, then I’m racist. If I have black girl dancers, then I’m racist.’ We know we’re not racist, and I know I’m not putting down women. People got a rise out of me saying that I was a feminist, but I am. I’m telling women be whoever you want to be.”
Oh Miley, Miley, Miley. Here she is in the New York Times this weekend proving she, still, so doesn’t get why people were offended that she spanked a Black woman onstage at the VMAs. I’m not entirely surprised that an ex-Disney star doesn’t have the a developed sense of racism and intersectional feminism, but I would have hoped she’d be slightly more intellectual than to think than employing black backup dancers makes her not racist.
Here’s what Miley had to say when she was asked by the Times whether her personal thinking about race changed this year: Keep reading »
The movie “12 Years A Slave” is being heralded as one of the best films of the year, is expected to be nominated for an Oscar for Best Picture, and leads the Golden Globe nominations with seven nods. Its star is Chiwetel Ejiofor, who is winning accolades left and right for his performance as Solomon Northup, a free black man from upstate New York, who is abducted and sold into slavery. It is his image that appears on the majority of movie posters (right) promoting “12 Years A Slave” in the United States and around the world — except Italy, that is. Keep reading »
Justine Sacco, the now-former communications executive at IAC, who lost her job for tweeting a racist AIDS joke just before flying to Africa, has finally issued an apology. She first sent the apology to the South African newspaper The Star, explaining she wanted her statement to reach South Africans first, and it was then shared with ABC News. Sacco’s full apology:
“Words cannot express how sorry I am, and how necessary it is for me to apologize to the people of South Africa, who I have offended due to a needless and careless tweet. There is an AIDS crisis taking place in this country, that we read about in America, but do not live with or face on a continuous basis. Unfortunately, it is terribly easy to be cavalier about an epidemic that one has never witnessed firsthand. Keep reading »