As most people already know, the ubiquitous Kim Kardashian and Kanye West are expecting a baby. I’m happy for them. Unlike most people, I don’t mind Kim Kardashian. She makes an obscene amount of money for being herself (or the version of herself she wants us to see). I’m someone who’d be happy to make an obscene amount of money the same way.
Despite being here for the media blitz surrounding the Kimye bebe, a recent statement the mom-to-be made gave me to pause. And, no, I’m not talking about that weird fake tweet.
In an interview with BET, Kim Kardashian said, “I have a lot of friends that are all different nationalities, and their children are bi-racial. So they have kind of talked to me a little bit about it, what to expect and what not to expect. I think that the most important thing is how I would want to raise my children, is just to not see color. That’s important to me.” Keep reading »
The always-inquisitive Jada Pinkett-Smith recently posed a question that has many people scratching their heads and some folks outright upset. In short, she’s wondering if black women ask to be represented in mainstream media, on the covers of magazines like Vanity Fair, shouldn’t white women be represented on the covers of traditionally black magazines like Essence, Ebony and JET?
The answer? Yes and no. Keep reading »
Pediatric dentist Dr. Misee Harris of Kentucky is petitioning to become the first ever Black “Bachelorette.” This prospect means a lot is surfacing for me regarding the harmful stereotypes reinforced by women of color on reality television. How would she be received? If she did get an opportunity to be on the show and chose a non-black man, what would the social implications of that be? But more than that, I feel disheartened because I know that this reality reflects how America feels about who deserves to be happy and who doesn’t. Keep reading »
We’re more than a decade into the 21st century. I’d hoped — in vain — that some basic understandings of how non-Black people should interact with Black people could be something I could take for granted. But no. Somehow there are “those people” who remain entirely clueless, so much so that they will call a 9-year old the c-word, or paint a white model bronze-Black, or not even, as so-called, journalists, bother to learn the pronunciation of an Oscar nominee’s name. This is unacceptable.
Recently, I read the comments section of a post on Clutch where a male reader was baffled as how to initiate a conversation with Black women and asked for some rules. Several helpful women obliged. In the same spirit of combating ignorance, I offer rules for non-Black people to engage Black women without causing offense. If you can manage NOT to do the following, you can probably come across as a decent human being.
Humbly, I submit a basic list, my rules of engagement, and ask you NOT to do the following (and encourage Black women to add to the list in the comments)… Keep reading »
This spread in Numero magazine is a headscratcher. Why did they hire a white model and cover her in brown makeup instead of just hiring a brown-skinned model? Or is she supposed to be a white woman in Africa who is, for some reason, Tanning Mom-level tan? Numero likely knew that photographing a 16-year-old white girl in heavy brown makeup, wearing colorfully printed clothing, next to the words “African Queen” would get people upset about blackface. And it worked. [Clutch Magazine]
Insult comedian Lisa Lampanelli has made headlines again – for all the wrong reasons. Last week during the Writers Guild Awards, she shamelessly tweeted a picture of she and HBO “Girls” producer and star, Lena Dunham captioned “Me with my Ni**a @LenaDunham of @HBOGirls – I love this beyotch!!”
The interwebs erupted with rage as yet another privileged white comedian made a “joke” at the expense of the Black experience. The ubiquitous nature of racism means while we see and hear it everywhere, we’re rarely given the opportunity to understand the motivation behind it. Lampanelli’s entire shtick is to exploit the sensitive nature of race and homosexuality and to make money from abusing the art of comedy, not taking responsibility for the social implications of her “work.” Keep reading »