One film in particular has shaken up the Berlin International Film Festival taking place this week: “Frauenzimmer,” a documentary by 28-year-old filmmaker Saara Aila Waasner which follows three grandmother-aged women who work as prostitutes in Germany. Yes, prostitutes! Christel, 59, boasts of the demand for older women; Paula, 49, runs a bordello; and Karolina, 64, is a dominatrix who works in an S&M studio. Waasner said she wanted to show “the real people behind the job” and how some female sex workers find the job to be empowering, not exploitative. We just have one question: How soon until “Frauenzimmer” — or “Silver Girls” in English — opens in the U.S.? [The Local DE]
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“Secret Diary of a Call Girl” is back on the air tonight at 10 p.m. and lucky me, some angel at Showtime mailed The Frisky offices a screener of Season 3. Woo-hoo!
When we last left off, Belle ditched her lame boyfriend, who wasn’t supportive of her career, and published her first book about life as a high-class hooker. And because no good series goes without a tease, Belle and her best friend, Ben, kept jerking us around with their will-they-or-won’t-they? thing. On season three, Belle is at work on her second book and we finally get the Ben/Belle relationship. Well, almost … Keep reading »
Mischa. Sweetie. We know you’re playing a prostitute on an episode of “Law & Order SVU.” But I promise you, there is not a single hooker in New York City who actually dresses like that. What is the “SVU” costume department thinking? Keep reading »
“I have a hard time accepting roles that typecast a culture. I don’t need to play Juana, the prostitute from Washington Heights, in every movie. If it’s been done before, you don’t need my help. Latinos, we’re not all pimps or prostitutes, we don’t all deal drugs; not everyone in Jamaica smokes weed; not every Middle Easterner is a terrorist. It’s boring, offensive, and hurtful. “
—”Avatar”‘s Zoe Saldana, when asked what roles she refuses to play [Complex] Keep reading »
“Was Holly Golightly Really a Prostitute?” The New Yorker wonders. A British stage production of Truman Capote’s Breakfast at Tiffany’s prompted the Telegraph to ask the same question. After the jump, what The New Yorker uncovered. Keep reading »