Hey! So you probably noticed The Frisky was down all day. We seem to be up and running — FOR NOW!!!! — so I can finally bring you this hilariously late recap of last night’s MTV VMAs. I know, you forgot it happened already.
Without the promise of Miley Cyrus’s flapjacks twerking against Robin Thicke’s sleazy groin, last night’s MTV Video Music Awards had a lot to live up to. So how did it go? Well, there was a lot less tongue, thank god, much better twerking (thanks Nicki!), the Kardashians at their worst, and so, so, so much Beyonce. Here are the moments not to be missed from last night’s MTV VMAs.
Nicki Minaj had a lightening fast costume change in between performing her single “Anaconda” and her collab with Ariana Grande and Jessie J, “Bang Bang,” to open the show — but apparently she wasn’t zipped into her second dress correctly because she had to clutch the front together to prevent a wardrobe malfunction. Oops! Keep reading »
Hoo boy. Have you heard that song “God Made Girls” by the country singer RaeLynn? She appeared as Racheal Lynn Woodward on season two of “The Voice” on Blake Shelton’s team. It’s a cheesy feel-good song like “Butterfly Kisses” for the millennial generation with just a pinch of Taylor Swift.
To be completely fair, on a baseline level I’m never going to see eye-to-eye with a Christian song that presumes there exists a God who made men/boys first and then got around to making women/girls (as it is told in the Bible, the first woman, Eve, is made from a rib of the first man, Adam). But hey, it’s a country song. Country songs are all about stories. That’s the premise here.
Even that concession, though, doesn’t improve the message of “God Made Girls,” which appears to be: GEE, IT’S A GOOD THING BOYS HAVE GIRLS AROUND TO MAKE THEM FUNCTIONAL HUMAN BEINGS. Keep reading »
The Boxettes, a kickass a cappella group from the UK, splendidly covers the dance hit “Waiting All Night” by Rudimental (with a little bit of Destiny’s Child’s “Jumpin, Jumpin” mixed in for good measure). The girls keep the beat amazingly and bring a whole new energy to the song that never existed before. Their rhythm is totally infectious, I only wish I’d stumbled across their work sooner! [Huffington Post]
As sometimes happens, I came to it — rockabilly — for the clothes. I started collecting vintage clothes from the 1940s through the early ’60s when I graduated from college and was entering the working world, because I wanted more than black pants and a sweater for business casual. I clicked away hours on my laptop, gleaning important bits of knowledge from old photos and bloggers everywhere from Australia to Austin. These stylish women were wonderfully put together for work and play, and danced to a soundtrack of music more powerful and raw than what I’d been listening to at the time. Keep reading »
Tori Amos covered Radiohead’s “Creep” at a concert in New York City last week, and it was totally kickass. Who knew a ’90s hit could have such staying power? The song is 22 years old now, and Radiohead rarely performs it anymore. Luckily for us, plenty of awesome artists have shared their own moving interpretations, and Tori’s is no exception. [Refinery 29]