Michelle Williams has been struggling to remain strong for daughter Matilda after Heath Ledger’s death in January. But now, she seems to have found some happiness with director Spike Jonze. “Michelle kissed Spike with a closed mouth on the corner of his lips,” says an eyewitness to who saw the couple leaving Jonze’s Manhattan apartment. “There was definitely a little bit of caressing going on. She was clutching his arm. The body language was very romantic.” Keep reading »
Yay! She looks happy, which makes us happy. [Wendy and Lucy premiere, Cannes Film Festival, 5/22/08] Keep reading »
A couple days ago I wrote a post about my shameful fascination with Michelle Williams in the aftermath of Heath Ledger’s death. After remaining mum while weathering the non-stop harassment of paparazzi, she has issued a statement through her publicist, saying:
“Please respect our need to grieve privately. My heart is broken. I am the mother of the most tender-hearted, high-spirited, beautiful little girl who is the spitting image of her father. All that I can cling to is his presence inside her that reveals itself every day. His family and I watch Matilda as she whispers to trees, hugs animals, and takes steps two at a time, and we know that he is with us still. She will be brought up with the best memories of him.”
You’ve got it, girl.
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I can’t decide who I’m more disgusted by: the paparazzi who camped out in front of Michelle Williams’ Brooklyn home and snapped a photo of her with baby Matilda, the gossip websites who bought and posted both the pictures and the video (Us Weekly and TMZ, we’re talking about you), or myself, for actually giving them what they wanted for it — page views. Needless to say, Heath Ledger’s death has been eating at me and lots of other women I know, but I’ll only speak for myself.
Outside of the fact that I clearly get a lil’ too much out of watching the lives of celebrities, this particular event is hitting kind of hard. I watched the tape of Michelle Williams arriving home, surrounded by paparazzi, with a sad fascination with the pain she must be going through, because I can’t imagine it myself. Obviously Heath was talented, but more than that, he was young and he was a father. I don’t know many 20-something fathers and I certainly don’t know anyone in my age group that has died so suddenly and with that much to lose. Maybe it’s the fact that kids and marriage are not far off in my future and the thought of losing someone at this age, and having a child, is an unimaginable tragedy. Watching Michelle gives a little glimpse into what that might be like. Her pain doesn’t give me pleasure, by any means, but I’m truthfully very sad for her and strangely curious to see how she handles it, as if it might reflect back what I would do and feel in the same instance. Keep reading »