If you signed onto a feminist or women-focused blog anytime in the past week, you might have asked yourself, “What the hell is going on?” Everyone is at least vaguely aware, I hope, of the Wikileaks cables and international man of mystery Julian Assange (though if not, I’ll explain it briefly after the jump). By why the hell is everyone talking about rape? And what does Michael Moore, of all people, have to do with it? And why did Keith Olbermann deprive the universe of his tweets?!
Allow me to attempt to explain — very, very basically — what the hell is going on … Keep reading »
tops my list of favorite documentary
filmmakers I wouldn’t want to snog but would totally marry. I love a juicy oversimplification applied by the left, and nobody does it like Moore. First he took on the ailing auto industry in “Roger & Me,” then violence in “Bowling for Columbine,” then the reaction to September 11th in “Fahrenheit 9/11,” then the healthcare industry in “Sicko.” Remember when Moore provoked Charlton Heston to slam a door in his face (on tape!) for a poignant ending to “Bowling for Columbine”? Sigh.
After the jump, see what industry insiders are saying about Moore’s latest lament, “Capitalism: A Love Story,” which premiered at the Venice Film Festival in late August, plays at the New York Film Festival next week, and opens in theaters on October 2nd. Keep reading »