As far as genes go, Georgia May Jagger’s got it made. Being the daughter of Mick Jagger and Jerry Hall may have its upsides, but unlike most offspring of rock royalty, the 20-year-old is hardly resting on her laurels. With major magazine campaigns, beauty contracts, and Vogue covers to her name, Georgia’s unique look — unsurprisingly, a composite of her mother’s statuesque beauty and her father’s rock and roll rakishness — has already left an impression on the fashion world (and those unmistakable lips might have a little something to do with it, too).
Georgia’s genetic mix of ladylike English rose and gritty libertine has landed her a coveted spot as the face of Vivienne Westwood, and I daresay she showed up some of the catwalkers during her appearance at this weekend’s show, where she played the part of the queen who had been out all night and then some. We may not be able to recreate that gorgeous embroidered gown or the pretty baroque tiara, but her easy, flattering makeup is practically begging to be copied (in less than five minutes, no less) … Keep reading »
The other day, I watched “Fela Kuti: Music Is The Weapon,” a 1980s’ documentary about Nigerian musician and activist Fela Kuti. Kuti’s life has been turned into a hit Broadway play called Fela (see it if you can), and his songs of revolution, strife and struggles of everyday life in Nigeria still resonate today. “Music Is The Weapon” chronicles Kuti’s 1983 failed run for president of Nigeria, and the intimidation and torture he and his family endured at the hands of police. Kuti’s family was rather, um, nontraditional; in the ’70s, he married 27 women — members of his extended band and dancers for his performances — in one large Yoruba ceremony. He called them his “queens,” and apparently he only kept 12 wives on tap in his commune (dubbed the Kalakuta Republic) at any given time, rotating them in and out of matrimonial service. After police pressure on the Kuti compound increased, many of his wives deserted him.
After a stint in prison in 1985 he divorced all of his wives, claiming that he no longer believed in marriage. The women featured in “Music Is The Weapon” were some of Kuti’s closest companions and advisers, the mothers of his children and followers of his belief in radical change for Nigeria. They also had incredible style — as these shots of the women in full performance makeup — prove.
At The Frisky offices, it’s a rare day when one of us doesn’t come in with blue eyeshadow, orange lipstick, or a dog… but it goes without saying that such isn’t the case for most workplaces. There are only so many times you can wear mascara, a touch of tasteful blush, and lip balm before it gets really, really old. If you’ve surpassed that point, like, yesterday, check out these three pretty, office-appropriate beauty looks — they aren’t quite the fuchsia lip stain or smoky eyes you might choose to sport in your free time, but when it comes to the 9-5, we guess they’ll just have to suffice. (And on the off chance you leave your lipstick at home, they can just as easily work the other 16 hours, too.)
I’m like a magpie as far as beauty products go — I’m drawn instinctively to anything bright, sparkly, bizarre, or beautiful — but when it comes to what I put on my own face, I’m an unlikely makeup classicist, and I most definitely stay inside the lines. At the S/S 2013 Prada show in Milan, models (like Jessica Stam, left) walking the runway sported fluorescent red lips that erred ever-so-slightly outside the natural barrier, resulting in an overall effect that’s more cartoonish than chic (wax lips, anybody? I ate a fair few in my day. Spoiler: they are disgusting). General consensus seems to be that this exaggerated lip look is best left to ’90s pop stars — like, say, Gwen Stefani, who showed off a similar shape at the iHeartRadio Music Festival. Frankly, I wouldn’t be caught dead in it. Would you?
Are you in the mood to buy some makeup? How about some makeup sold by shapeshifting aliens bearing a vague but bizarre resemblance to the Kardashian sisters? Well, now you can! Or soon, I guess. But seriously, they usually at least do a pretty good approximation of humans. Not this time, my friends. Not this time. [Celebuzz]
Sunday night’s Emmy Awards gave us a seasonally mixed beauty bag — summery bright lips and dark sultry eyes cropped up in equal abundance, while makeup stalwarts like matte red lips and high-density lashes seemed to take a backseat to more innovative looks. As runway beauty becomes more dramatic and daring, Hollywood follows suit — even Julianne Hough, who is so conventionally blonde and beautiful, went for the ultimate risk by chopping off her long locks earlier this year.
The actress and dancer channeled the Belle Époque on Sunday (she described her look on Twitter as “Midnight In Paris” meets Grace Kelly), wearing her cropped hair in a helmet of pincurls, but I just loved her makeup. Impeccably sculpted brows, soft, smoky bronze shadow, and a rosy blush worn low on the cheeks made Julianne look like she could’ve stepped right out of the 1900s, but she’d be equally at home in 1925 or, well, 2012 — in fact, her makeup artist Molly Stern wanted the look to evoke “a black-and-white photograph come to life.” It’s the rare vintage-inspired face that doesn’t look dated, and with no harsh lines or bright colors, it transitions ever-so-smoothly from the office to the speakeasy (or the club, if that’s how you roll). Conveniently, it’s also festive enough to see you through the season and beyond, well into holiday parties and until the last snow fall. Bottom line: you want, nay, need to steal this look. Keep reading »