Having been a fan of ”Breaking Upwards,” the heartbreaking debut film from co-writers/co-stars/cohabitators Daryl Wein and Zoe Lister-Jones, I couldn’t wait to see the couple’s follow up, ”Lola Versus.” Starring mumblecore goddess Greta Gerwig, ”Lola Versus” tells the story of a woman on the verge of 30 who’s left understandibly devastated after her fiance dumps her three weeks before the wedding. However, after salty food and casual sex doesn’t help fill the void, she must figure out how to move on with her life without sliding back into the arms of her self-centered ex.
In rom-coms such as this, it’s easy to pin the leading lady’s happiness on whether or not she ends up with a guy at the end of the film, which got me thinking: What if some of our most adored romantic comedies had ended up with different outcomes? More specifically, what would’ve happened if these “meet cute”-ies didn’t opt for the embrace of Prince Charming? From Vivian Ward in ”Pretty Woman” to Jamie Rellis in ”Friends With Benefits,” let’s spitball about what would’ve happened after the credits rolled if these leading ladies had chosen themselves over whatever handsome—but probably jerky—suitor.
Leslie Simon is the author of Geek Girls Unite: How Fangirls, Bookworms, Indie Chicks and Other Misfits Are Taking Over the World. Follow her musings on her blog and on Twitter.
We’re sick and tired of the “Is Judd Apatow A Sexist Pig Because His Main Characters Are Loser Guys Who Date Women Who Are Too Good For Them?” debate.
No, he’s not. True, Katherine Heigl said “Knocked Up” was “a little sexist.” But that woman complains about everything.
Nevertheless, whether or not Apatow’s a sexist pig has taken on a life of its own and become something he has to answer for. Earlier this week at a screening of his latest film, “Funny People,” Apatow told an audience:
“I think, really, what a lot of these issues are is that women are romanticized in movies. [My] movies go pretty hard at having women have as many problems as men. They make mistakes that are as big as men’s. So when someone says ‘Knocked Up’ seems sexist, I’m like, ‘Really?’ I mean, Seth [Rogen] has an earthquake, and he grabs his bong before his pregnant girlfriend. That’s pretty bad. But I try to weigh it evenly so it’s not really about men or women; it’s just about miscommunications and us at our worst.”
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We’re all for a nude scene in a movie, but there are some we just want to forget. Check out our list of the Top Ten after the jump, and let us know any we might have missed! Keep reading »
Picture for a moment, if you will, the opening sequence of a film. A romantic comedy. Close, on the female lead, she stands in her apartment a puzzled look on her face – darn it! She wants love! Dating is hilarious! Sex is hilarious! People chase other people through airports and make embarrassing speeches at corporate functions all in the name of L-O-V-E. This female lead is unemployed. She is a slacker. She’s uncertain what she wants to do with her life, but she is certain that she’s ten to fifteen pounds overweight. She engages in recreational drug use, sometimes even drinking bong water. She fears change and cries at the drop of a hat. But boy is she lovable!
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We’ve got an itty-bitty secret hate of Katherine Heigl in our heart, so imagine our dismay when we discovered that she kinda, sorta agrees with one half of our opinion on her last movie Knocked Up. In the new issue of Vanity Fair, the Grey’s Anatomy actress [Seriously, is there a worse TV show on right now? We know it’s targeted at…well, us, but it seriously sucks.] confesses that she doesn’t think so highly of the film that made her pay scale go from $300,000 per picture (what she was paid for Knocked Up to $6 million (her paycheck for January’s 27 Dresses).
“It was a little sexist. It paints the women as shrews, as humorless and uptight, and it paints the men as lovable, goofy, fun-loving guys…I’m playing such a bitch; why is she being such a killjoy? Why is this how you’re portraying women? Ninety-eight percent of the time it was an amazing experience, but it was hard for me to love the movie.”
We totally agree with her assessment, but it’s kind hard to pat on the back for it — after all, she did read the script before accepting the project and she had no problem promoting the film she’s suddenly now not so proud of. The check must have cleared! [E! Online and Vanity Fair] Keep reading »
Wow. The last movie that made us this upset and confused was, like, Fahrenheit 9/11, so imagine our surprise when we found ourselves wanting to stab Ben (Seth Rogen) in the face as we shouted “Abort! Abort!” at Alison (Katherine Heigl), like she could hear us or something. Sadly, Judd Apatow, the man behind the ever more hilarious but not nearly as emotion-inspiring 40-Year-Old Virgin, probably didn’t intend for his summer blockbuster to get women involved in a heated debate about unplanned pregnancies, but, well, it did. Our highly expertised movie criticism after the jump. Keep reading »