A show about women in prison could have easily devolved into mindless titillation or stereotypical boredom. But Netflix’s breakout hit “Orange Is The New Black” has skillfully avoided either trapping. Instead, viewers are treated to a show with well-thought-out story lines, sharp social commentary, diverse, multi-faceted characters with compelling backgrounds, and stellar performances. One of these standouts is actress Laverne Cox, who captures audiences with her portrayal of transgender prison inmate, Sophia Burset.
Looking at her career thus far, it’s easy to see why some have deemed Laverne a trailblazer in many ways. Not only has she made the enviable leap from reality star (appearing on VH1’s “I Want to Work For Diddy”) to skilled actress, but she’s also a producer and transgender advocate. Laverne’s visibility as a trans actress of color is breaking barriers on many levels, and hopefully will pave the way for more rich roles created for trans actors.
I had the chance to speak with Cox and learned more about working with Jodie Foster, her relationship to her activism and her art, and the future of trans actors. Keep reading »
A new coloring book is out for kids who may be gay, live in a gay family, or be gay-curious. The Being Gay Is Okay coloring book offers color-able same-sex domestic scenes, and includes a series of trading cards, featuring notable gay icons and gay supporters
One of the Fabulous Gay Trading Cards features Jodie Foster, who’s homosexuality is one of Hollywood’s biggest non-secrets. Still, as Foster rather cryptically explained in her Cecille B. DeMille Golden Globes Awards speech, she’s not really out-out. Keep reading »
By now, you’ve probably watched or at least, heard about Jodie Foster’s acceptance speech for the Cecil B. DeMille Award at last night’s Golden Globes. Today, the internet is a abuzz with reactions to her “coming out” speech. Foster dropped the declaration that we’ve all been waiting for:
“I’m just going to put it out there right, loud and proud … I am, uh, single … I hope you’re not disappointed that there won’t be a big coming out speech tonight. I already did my coming out about a thousand years ago back in the Stone Age. Those very quaint days when a fragile young girl would open up to trusted friends and family and co-workers, and then gradually and proudly to everyone who knew her, to everyone she actually met.”
Met, being the operative word, Foster went on to comment on the issue of privacy, joking that nowadays, celebrities are expected to honor the details of their private lives “with a press conference, a fragrance and a prime-time reality show.” Keep reading »
I’ve said it before and I will say it again: if I were a young actor today I would quit before I started. If I had to grow up in this media culture, I don’t think I could survive it emotionally. I would only hope that someone who loved me, really loved me, would put their arm around me and lead me away to safety. …
In 2001 I spent five months with Kristen Stewart on the set of “Panic Room” mostly holed up in a space the size of a Manhattan closet. We talked and laughed for hours, sharing spontaneous mysteries and venting our boredom. I grew to love that kid. She turned 11 during our shoot and on her birthday I organized a mariachi band to serenade her at the taco bar while she blew out her candles. She begrudgingly danced around a sombrero with me but soon rushed off to a basketball game with the grip and electric departments. Her mother and I watched her jump around after the ball, hooting with every team basket. “She doesn’t want to be an actor when she grows up, does she?” I asked. Her mom sighed. “Yes … unfortunately.” We both smiled and shrugged with an ambivalence born from experience. “Can’t you talk her out of it?” I offered. “Oh, I’ve tried. She loves it. She just loves it.” More sighs.
– Jodie Foster penned an absolutely beautiful essay on The Daily Beast about acting, celebrity, and juggling vulnerability in one’s craft with impenetrability in one’s personal life. The essay is about Kristen Stewart’s hell-hole of a life right now, of course. But Foster does not address the cheating scandal head-on; instead, she asks readers to remember “a salary for a given on-screen performance does not include the right to invade anyone’s privacy, to destroy someone’s sense of self.” Not only am I impressed with Jodie Foster’s writing chops, but I find it touching that she’s written a piece standing up for a younger actress — and reminding us all we’re just human beings. [The Daily Beast] [Photo: Getty]
In the 1976 film “Taxi Driver,” Jodie Foster plays Iris, a teenage prostitute with whom Robert DeNiro’s Travis Bickle forms a bond. The film–and Foster–received criticism for having such a young girl play the role: Foster was just 13 at the time. Still, apparently fashion mag Harper’s Bazaar finds “Taxi Driver”‘s central relationship not creepy, but sweet–which is why they’ve posed teen actress Chloe Moretz here with Keanu Reeves in a scene reminiscent of the film. Moretz, only 14, admitted that she’s still too young to appreciate “Taxi Driver.” “My mom won’t let me watch it,” she told the magazine. Maybe she shouldn’t be emulating the character then, either? [Harper's Bazaar]