“I have a suspicion that the definition of ‘crazy’ in show business is a woman who keeps talking even after no one wants to f**k her anymore.”
— Tina Fey, writing in The New Yorker. Yes, The New Yorker! My dream woman writes for The New Yorker! Which is kind of why she’s my dream woman, isn’t it? But seriously, this is so true. Just ask Helen Mirren. [The New Yorker via GQ.tumblr.com] Keep reading »
“I auditioned for a job recently, and didn’t get it. Word came back that they were looking for ‘a flirty piece of ass.’ Now, I do not want, and have never wanted, to be a flirty piece of ass, but when told I was not one, I found myself quite offended. I was thrust right back on the most primeval battlefield, the loser at the mating game. The point that sex appeal is not the level at which I want to compete was lost on me, momentarily.”
— Actress Rosamund Pike (“An Education,” “Made In Dagenham,” “Barney’s Version”) on how expectations of Hollywood actresses mess with her head. The reason I lurve Rosamund is because she’s always totally honest about this kind of BS. [Montreal Gazette] Keep reading »
“I couldn’t get an interview even though my last movie made $400 million. I was told it had to be directed by a man — am I crazy? The Fighter‘] is about action, it’s about boxing, so a man has to direct it. … But they let a man direct ‘Sex and the City’ or any girly movie you’ve ever heard of.”
— “Twilight” director Catherine Hardwicke exposes sexism in Hollywood against female directors and this notion that they can only direct certain types of films. The directorial job on “The Fighter” went to David O. Russell and Hardwicke agreed he did a good job. But it’s complete BS, as she said, that she was told “The Fighter” had to be directed by a man. Keep reading »
Helen Mirren is one of those people who, when she talks, you listen. This Tuesday, the Dame received the Sherry Lansing Leaderships Award — so named for the former CEO of Paramount Pictures — at The Hollywood Reporter‘s annual Women in Entertainment breakfast. Although consummately gracious for receiving her award, Helen criticized the subtle sexism of Hollywood, which puts older actresses out to pasture while keeping older male actors in the stables and produces films that “worship at the altar of the 18- and 25-year-old male and his penis.” Helen’s summation? “Quite small, I always think.”
After the jump, a transcript of Helen’s speech: Keep reading »
Ladies — always mucking up the important film narratives for the dudes, am I right? That’s why this extensive “female character flowchart” is so handy: You can easily figure out which terribly cliched movie trope you’re watching by simply consulting the chart. Is she a “psycho feminist lesbian amazon” or a “happy single teenage mom”? A “mama bear” or a “manic pixie dream girl”? Consult the chart and find out! [Overthinking It] Keep reading »
You know what gets people worked up on the internet? Not children going to bed hungry. Not murderers and rapists who never see the inside of a jail cell. Not people who abuse animals. No, it’s “Sex and the City 2” that makes people lose their flippin’ minds.
If I hadn’t just taken a week-long vacation in May, I should have done it the week after critics started publishing their scathing, venom-filled “Sex and the City 2″ reviews about how it’s THE WORST THING EVER and OH MY GOD MY EYES ARE BLEEDING. (The cattiest reviews, of course, I collated for you haters here.) But then I found the diamond in the rough: somebody who had something sensible, rather than hysterical, to say about “Sex and the City 2.” Keep reading »
We love looking to movies for fashion inspiration but can’t imagine actually owning Marilyn Monroe‘s pink dress from “Gentlemen Prefer Blondes” or the carpet bag from “Mary Poppins.” For starters, Marilyn’s dress would never fit. However, movie fanatics and fashion lovers who want a piece of history will want to prep for antique company Profiles in History‘s Hollywood Memorabilia auction. The collection of iconic costumes from famous movies begins June 10, and Profiles in History claims Marilyn’s pink dress is “the most important film dress to ever come to auction” and expects it to sell for anywhere between $150,000 and $250,000. Meanwhile, Julie Andrews’ bag could grab $10,000 to $12,000. Clearly you’d have to be majorly rich to place a bid. [Stylelist] Keep reading »
We’re hoping that women like Kathryn Bigelow, the woman behind “The Hurt Locker” who could win the Oscar for Best Director this year, will begin to give voice to the silent minority in Hollywood: women. A recent study done at the University of Southern California turned up some disheartening stats about women in film. Of the 100 blockbuster films of 2007 that were studied, only 17 percent of them were written, directed, or produced by women. Even worse, they found that women were minorities onscreen as well. Female actresses were given only 30 percent of all speaking parts. (I wonder how many women were seen and not heard—that would be interesting to know.) While those findings are fairly depressing, there is some good news. Films with women writers, directors, and producers had about twice as many parts for females. So it sounds like the key to building women’s influence in Hollywood is for ladies to make their own material. Sure, it may be intimidating to go up against your allegedly egomaniacal ex for an Oscar, but if Kathryn wins (and even if she doesn’t), she’ll be an inspiration to up-and-coming females in the movie biz. Here’s to equality in Tinsel Town. [AOL] Keep reading »
This is the best response to Vanity Fair‘s all-white cover of Hollywood starlets we’ve seen: some pranksters mocked up a fake cover of “Vanity No Fair,” with — gasp! — women of color sitting in the same outfits and poses as the actresses on Vanity Fair‘s March 2010 issue. Click here to see a larger version.
Thanks, ladies, for showing us what Hollywood really looks like: more like reality. [Sita Young] Keep reading »