Hellooooo, Scarlett! Disregarding the fact that, like, everyone and their corgi seems to be getting a star on the Hollywood Walk of Fame, Scarlett nailed it in Preen yesterday at her ceremony. Nailed it! I haven’t seen her look this good since before her busted Sean Penn days. This is how you do it.
Let’s get one thing straight: I am not a fan of Katherine Heigl movies and I probably won’t see her new film “One for the Money” unless I’m forced. But that doesn’t mean I don’t think she’s gotten a raw deal in the media. A new article from New York magazine asks, “Is It Over for Katherine Heigl?” and examines the former “Grey’s Anatomy” star’s relative bankability compared to her position a few years ago. What it finds is that Katherine Heigl is guilty of a couple of major things, among them:
- Being demanding and high strung — incurring the nickname “Hurricane Heigl.”
- Having opinions about the projects she does.
But the real core of Heigl’s problem — and why she’s the object of such grating analysis, is that she’s a woman — a woman who’s done and said some unlikeable things. Call it the “America’s Sweetheart” problem, something Heigl seems acutely aware of. “I’ve never really been America’s sweetheart, but for a minute I think that’s what they wanted me to be,” she told Elle this past December. And I had ‘em for a second thinking maybe I was. And then I opened my mouth and it was clear I wasn’t.”
And none of these things would really matter if she was a man. Keep reading »
Okay, okay, so I get it: fashion’s always on to the next. The newest, the weirdest, the most avant-garde — and apparently, the youngest. And that’s why the Fanning children, Elle and Dakota, have been on fashion’s sweet radar for the last year or so, making the rounds in magazine editorials, on blogs and in designers’ campaign videos. Dakota, the elder Fanning, is the ripe old age of 17, and so we’re somewhat less troubled by her meteoric rise into the sweet embrace of fashion’s bosom. But younger sister Elle Fanning is only 13 years old. And she looks it!
So what, you say? Keep reading »
“Nicholas Stoller, director of ‘Forgetting Sarah Marshall‘ and ‘Get Him To The Greek,’ says, “There’s a misogyny in audiences, a much higher bar of required likability for women stars. You need to make the actress completely adorable, or else she’ll be thought of as the straight man or the bummer — which is why I focus so carefully on trying to write fully fleshed out roles for women in my movies.” To make a woman adorable, one successful female screenwriter says “you have to defeat her at the beginning. It’s a conscious thing I do — abuse and break her, strip her of her dignity, and then she gets to live out our fantasies and have fun. It’s as simple as making the girl cry 15 minutes into the movie.”
— A profile of actress Anna Faris in The New Yorker by journalist Tad Friend became a larger thinkpiece about the “required likability for women stars,” as one director put it put it. There’s a requirement that women on film are not too threatening to male — and one would assume, as well, female — audiences. You have to wonder why that is. I’ve always said that sexism still exists in 2011, only it is a lot less blatant than in years past. But if you ever needed evidence that sexism is alive and well, there you go. (If you’re curious, I wrote a post back in 2009 on this same general topic.) [The New Yorker via AnnaHolmes.Tumblr.com] Keep reading »