“Hello lover.” [Sex and the City premiere, New York City, 5/27/08] Keep reading »
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“Hello lover.” [Sex and the City premiere, New York City, 5/27/08] Keep reading »
For six seasons, Sex and the City made it its mission to shape pretty much every aspect of our lives — the cocktails we drank, the ensembles we wore, the way we dished about sex, how we dealt with men, how many friends we had (you know you feel kinda like you’re living in your own little SATC world every time you’re out with four friends!), how we defined ourselves (I consider myself a “Carrie”, what about you?), and so much more. The SATC impact is so strong, it continued on unabated well after the series ended. May 30th is just around the corner, a date marking the much anticipated SATC movie premiere where we will all be reunited with our four favorite fictional gal pals. Once it hits, there is little doubt that this is all anyone will be talking about (well, the entire female population at least), and any garment even remotely resembling an item seen on the big screen will fly off the racks faster than you can say Manolo Blahnik.
Thanks to a little thing called “promotional pictures”, we can satiate out intense need for a SATC fix, plus get a head-start on replicating the signature styles of our favorite socialistas. Why not start by channeling your inner Carrie, Samantha, Miranda, or Charlotte on your next big date? Keep reading »
Sarah Jessica Parker’s headband at the London premiere of SATCmight be a bit much, but, in my opinion, a hint of feather in the hair is quite nice. [Urban Outfitters] Keep reading »
After Sex and the City ended its run on HBO in 2004, Carrie’s desk and laptop were donated to The Smithsonian museum. But then when they decided to do a movie and needed them back. (I don’t understand why they would need her laptop back — if she really is a successful writer with a few books under her belt, you would think that she could afford a MacBook Air.) The Smithsonian was rather reluctant to hand over the props, and Sarah Jessica Parker had to get involved: “After the series finale The Smithsonian called us to ask for the desk and laptop from the TV show. They only released it back [for use for the film] after I made several personal calls. When it was suggested I use a replica because no one would know it a replica, I said ‘I will know.’ We had to have that desk — as a writer, it’s an extension of you.” [ContactMusic.com]
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“She would probably long for that earlier type of heartbreak versus what she experiences this time around. The disappointment and the loss is so painful because they’re grown-ups now, and it just changes, as we all know.” — Sarah Jessica Parker, on her Sex And The City: The Movie character, Carrie, to New York magazine. Keep reading »
The New York Times did an interview with Sex And The City Executive Producer, Michael Patrick King, who seemed to pooh-pooh rumors (started by one of the movies’ stars, Cynthia Nixon) that a character dies in the soon-to-be released movie. “Someone’s going to die,” he said, “Like that’s what I’m going to do.” However, King insisted on not having Carrie and Big’s parents involved with the wedding that is at the center of the film, because, “My idea always was that these women were purely creations of New York.The prototype of the series is that these are four grown-ups who make a family of one another.”
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The cast of Sex and the City were on Oprah yesterday. It was so funny. The audience looked like a Crayola box vomited all over them, there was much, much, much screeching, and the ladies kind of played up their characters, with the possible exception of Cynthia Nixon, who really does seem over-the-moon in love with that girlfriend of hers. The cast talked about those much discussed “dream sequences” that they hyped during the filming to throw people off about the plot, but seemed to allude that maybe they weren’t so dreamy after all. The highlight for me, however, was when Chris Noth came out, because honestly? Drool. Keep reading »