The Cannes Film Festival begins today in France. Movie stars along the French Riviera sounds lovely, of course. But Cannes, and every other film festival, is always a reminder of women director’s underrepresentation in the movie business. In the past decade at Cannes, there have been several years when ZERO female directors have had a feature film screened — and that’s in pools of, like, 22 competing films. Keep reading »
The Palme d’Or is the highest prize awarded at the Cannes Film Festival each year, presented to the director of the best feature film. Past honorees have included such notable favorites as “Amour,” “Fahrenheit 9/11,” “The Pianist,” “Pulp Fiction,” and “Taxi Driver” — so it goes without saying that walking away with the Palme d’Or is no small feat. In fact, it pretty much guarantees an excellent and critically well-received film. But for once, you’ve probably never heard of this year’s winner, nor its stars (Léa Seydoux and Adèle Exarchopoulos), nor its director (Abdellatif Kechiche), nor the French graphic novel it’s based upon (“Blue Angel” by Julie Maroh). “Blue Is the Warmest Color” was much buzzed about during the festival, thanks in part to its reportedly “astonishing” 10-minute, likely unsimulated sex scene (helloooo, NC-17) between the two female lead characters. The film, which opens in American theaters on October 25, tells the rapturous story of Adèle, a 15-year-old aspiring teacher, who finds her world spun on its axis when she falls for Emma, an older, blue-haired art student. The trailer alone is absolutely stunning, set perfectly to a Beach House track. Prepare yourself for the chills.
So we all know that there’s a dearth of women in the movie-making business — just in case you’re not up to speed there was a whole study done about it. The best place to view this disparity is the Cannes Film Festival in France: of the 20 films competing for the top prize, the Palme d’Or, only one is by a female director. Keep reading »
We’ve been seeing a lot of Diane Kruger – and her ubiquitous arm candy, Joshua Jackson — of late. She was a member of the Jury for the Main Competition at the 2012 Cannes Film Festival, and could be seen flitting about in all manner of ridiculously gorgeous couture gowns. There’s no doubt about it: Kruger’s got style for days, and apparently there’s no shortage of designers salivating to dress her.
After the jump, we take a look at the Teutonic actress’ best outfits.
And just like that, the Cannes Film Festival is over. I’d be lying if I said I wasn’t sad, and you’d be lying if you said I wasn’t really lame for feeling that way. Every year, I look so forward to the cutting-edge dresses and the high concentration of preternatural French cool. My years of experience in fashion-crushing have taught me that the old cliche is true, and that it really, truly is the Gallic who have the best style of all. As such, Cannes is known for its high-caliber glamour, and the attendees from across the way are well-suited to do as the natives. We’ve been closely following every look from the 11-day event, and now that it’s come to a close, it’s time to analyze the very best of hair and makeup straight from the shores of the Riviera.