Earlier this week, we fell in love with 12-year-old badass Vanessa Van Dyke (and her supportive momma!) for not letting her private school enforce racist beauty standards on her hair. The Orlando, Florida, student complained about bullying from students over her Afro and school administrators responded by demanding that Vanessa straighten or cut her Black hair or face expulsion. The school’s dress code said hair must be a natural color and not be a “distraction,” but they only said Vanessa’s ‘fro was a distraction after she complained about the bullying. Fuck you, Faith Christian Academy! In honor of Vanessa Van Dyke, EBONY.com has declared today, November 27th, #NationalAfroDay. Women and men rocking natural hair are invited to submit their photos to Ebony, where they will be posted on a special “We Are Hair For Vanessa Van Dyke” Facebook page. Show Vanessa Van Dyke some love for staying true to herself in the face of bullshit. [EBONY.com, Facebook.com: We Are Hair For Vanessa Van Dyke]
Faith Christian Academy in Orlando, Florida, has forced 12-year-old Vanessa Van Dyke, a Black student who rocks a mane of natural hair, to either straighten her hair or cut it off — or be expelled.
The school claims her hairstyle is in violation of the school dress code, which says, “Hair must be a natural color and must not be a distraction.” It gives examples of inappropriate hair such as rat tails, mohawks and shaved designs. The “distraction” is apparently Vanessa’s complaint to grownups at the school that she was been teased over her hair. Keep reading »
One of the most intriguing characters on “Scandal” is First Lady Mellie Grant. She’s not just a WASP sent from Central Casting, or a put-upon wife of a philanderer. Mellie gave up her Yale and Harvard-bred ambitions for the full-time job of photo ops and glad-handing as the First Lady. Just like Lucy Ricardo always wanted husband Ricky to just give her one opportunity to be in a show, Mellie Grant wants to influence policy and make big moves wherever she can. At every turn, she is stopped, often angrily, by her husband the President and his apoplectic Chief Of Staff. Both men remind her, every episode it seems, that the First Lady is supposed to be pretty sidekick, not a policy wonk. In one episode, Mellie is witheringly informed her job is to be “ornamental.”
Watching Mellie Grant on “Scandal” has made me look at Michelle Obama differently for sure. It’s not hard to imagine she, too, feels a bit trapped in a golden cage. We don’t exactly know whether Michelle Obama feels like her intellect is being wasted, but we do know from Jodi Kantor’s book, The Obamas, a portrait of the Obama marriage, that Barack’s high-level staff has bristled in the past at Michelle’s involvement. But also we know that Michelle dedicated her first year as First Lady to acclimating her two children to their new home and school and has spent many years since promoting healthy eating and exercise. All this has been summed up by Michelle Cottle, a Daily Beast scribe in a piece for Politico Magazine, as a feminist failure. Keep reading »
Earlier today we learned about the charges of second-degree murder and manslaughter against 54-year-old Theodore Wafer in the death of 19-year-old Renisha McBride.
On November 2, the Michigan man shot McBride in the face through a closed and locked screen door at his home when she knocked on his front door earlier this month after getting into a car accident nearby. Wafer claims his gun went off accidentally and also that he believed she was an intruder. Prosecutors said there was no sign of a forced entry at all.
After two weeks of frustration for civil rights activists, Detroit prosecutors have finally charged Wafer. MSNBC spoke today with Renisha’s mom and dad, Monica McBride and Walter Simmons, who have stayed out of the public eye these past few weeks. Keep reading »
This week, Lily Allen debuted the video for her new song “Hard Out Here,” to extremely mixed reactions. Some, like our own Rachel, saw her song about pop music’s policing of women’s bodies and double standards about sexuality as a “feminist anthem.” Others are deeply offended by her use of mostly women of color backup dancers, arguing that satire is not an excuse for using their bodies in disrespectful ways. Keep reading »