It’s finally here: the Andre 3000 and Beyoncé cover of Amy Winehouse’s song “Back To Black” for the “Great Gatsby” soundtrack.
I’m going to say something controversial: I don’t like it. It’s creepy. Imma let you finish, Andre 3000, but Beyoncé should have just sang the whole song herself.
But judge for yourself! Listen after the jump… Keep reading »
[Amy Winehouse and I] spent a little time together and talked about [working together]. But, what little time we had, well, it was tense. She was in a bad state, God knows why. I think that the Adele thing had Amy freaked out. She liked her, but Adele’s success was making Amy feel upset, competitive, restless. Anyway, we lost touch briefly. And before she and I could really start the process of beginning a new album, it was too late.
–Mark Ronson reveals that Amy Winehouse, with whom he worked on her “Back To Black” album, was feeling really competitive and anxious about the success of another young, talented British female with a big voice: Adele.
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Musician Pete Doherty is one of my favorite misunderstood anti-heroes, a true artist and transcendent thinker whose messages are often sadly sacrificed to his drug-addled lifestyle. He said it best in one of his own songs: “I’m so clever, but clever ain’t wise.” His inconsistencies are glaringly apparent, but Pete is openly, unapologetically who he is, and he’s so damn compelling!
His most publicized relationship goes without saying (I’ll just say it anyway, Kate effing Moss!) but he also happened to be a great friend (and predictably terrible influence) of the late Amy Winehouse. Together they created a series of bizarre, likely crack-fueled YouTube videos and I guess they made art together, too, because as part of an auction filled with his belongings, Pete is auctioning off a painting that he claims incorporates Amy’s blood. Yes, the musician says that his work, “a portrait of his band The Libertines,” was created with the help of his young son and the deceased siren. Amy’s mark is on the right side, next to where it says “Ladylike,” which is also the title of the painting. The piece is anticipated to fetch over £80,000 ($104,000 US) when it’s sold later this week in London. Of all the oddities Pete and Amy created together, why, oh, why couldn’t just one of them have been a song? [Hint]