Just in case Kelly Osbourne‘s $250,000 manicure wasn’t
vulgar ridiculous pointless fancy enough for you, try this on for size (or don’t, we’re thinking it’s probably more of a museum piece): “young, famous” British designer Debbie Wingham (yeah, we’ve never heard of her either) is now presenting this $5.7 million dress, which she calls “an anthem for a beautiful woman who loves life” and capitalism. As it so happens, the peplum dress, like Kelly’s manicure, was crafted with black diamonds — 50 of them, to be exact.
Our friends over at The Gloss raise a fantastic point: these black diamonds are sooooooo rare and expensive, you can line a dress in them, then crush ‘em up and funnel them into a bottle of black nail polish. No word yet on whether the manicure is World’s Most Expensive (is there even a category for that?), but the World Record Academy has confirmed that Wingham’s dress has set the official world record for Most Expensive Dress. So, um … congrats? [The Gloss]
I have vilified Lady Gaga in the past (to much condemnation, given her rabid fanbase): the contrived, weird-for-attention shtick really wears on me, particularly considering it comes hand-in-hand with what basically amounts to catchy, radio-friendly pop music with a pseudo-controversial religious message here and there. I can live with her message of peace, love, and acceptance, but that isn’t enough to make a fan out of me. Here’s what is: in defense of her recent 25-pound weight gain and the ensuing media scrutiny, Gaga gets naked, or at least stripped to her skivvies, to set the “Body Revolution” in motion. Keep reading »
A foolish part of me thought for a hot second that Kanye West‘s influence on the wardrobe of his “Perfect Bitch” would actually have a positive effect on Kim’s trademark “all things tight” style. I can now honestly say I liked it better before, because what in the actual fuck is this? Kanye West’s idea of a really great outfit, is what. Terrifying. Nightmares. [Photo: FameFlynet]
You know, body-con dresses don’t usually do it for me. I would take a flowy Greek goddess gown over an Hervé Léger any day of the week. The squeeze-every-curve style is sexy, of course, but something about it is just so … obvious, even a little cheap (okay, a lot cheap). It also doesn’t help that women wearing them generally look like they just. Can’t. Breathe. But if anyone is going to take a fitted dress known for its slightly risqué nature and wear it to elegant perfection, it’s going to be Penélope Cruz, right? This is a look — tight fit, floral print, hot pink clutch — that I would generally hate on anyone else, but Penélope makes it look, well, classy. Do I sense some black magic at work?
Nail art has been around for a long while, but only in the past year or so has it evolved from something you were more likely to see on your cool artsy friend into a ubiquitous trend spotted on everyone from Zooey Deschanel to Beyoncé. The $50 Minx manicure made popular by Katy Perry is more than we’d generally be willing to spend on something so temporary (and, um, tiny), but on the off chance you have $250,000 you’re looking to be really careless with, and you’ve already ruled out eating it, snorting things with it, and donating to the poor (!), why not make like Kelly Osbourne at the Emmys and cash in on the Azature black diamond manicure? (Yes, the same one that drove Winona to pack up her things and take off for Jupiter. We’ll never forgive you for that, Azature.) What, like that’s not a completely reasonable and responsible way to spend your money? Keep reading »
Sunday night’s Emmy Awards gave us a seasonally mixed beauty bag — summery bright lips and dark sultry eyes cropped up in equal abundance, while makeup stalwarts like matte red lips and high-density lashes seemed to take a backseat to more innovative looks. As runway beauty becomes more dramatic and daring, Hollywood follows suit — even Julianne Hough, who is so conventionally blonde and beautiful, went for the ultimate risk by chopping off her long locks earlier this year.
The actress and dancer channeled the Belle Époque on Sunday (she described her look on Twitter as “Midnight In Paris” meets Grace Kelly), wearing her cropped hair in a helmet of pincurls, but I just loved her makeup. Impeccably sculpted brows, soft, smoky bronze shadow, and a rosy blush worn low on the cheeks made Julianne look like she could’ve stepped right out of the 1900s, but she’d be equally at home in 1925 or, well, 2012 — in fact, her makeup artist Molly Stern wanted the look to evoke “a black-and-white photograph come to life.” It’s the rare vintage-inspired face that doesn’t look dated, and with no harsh lines or bright colors, it transitions ever-so-smoothly from the office to the speakeasy (or the club, if that’s how you roll). Conveniently, it’s also festive enough to see you through the season and beyond, well into holiday parties and until the last snow fall. Bottom line: you want, nay, need to steal this look. Keep reading »