“Breaking Dawn”‘s Abortion Undertones
“Absolutely, and as a pro-choice feminist, that was certainly my concern going in. No matter what, I would not have done this movie if it violated my own beliefs — I would have just walked away — so I had to find a way into it that was in line with my own thinking and yet not violating anyone else’s beliefs. So that was probably one of the initial challenges of it. I’ve also heard the comment that Bella is the one who’s constantly sacrificing, and wow, I never saw her as someone who sacrificed anything. If anyone’s sacrificing anything, it’s Edward, because from the very beginning — and certainly in this film — she knows what she wants and goes for it, hell or high water. She’s perhaps even a little selfish because she’s so driven for what she wants. ‘Okay, so I die and Edward’s broken-hearted for the rest of eternity? Well, tough luck, I’m going for it anyway.’ She’s very clear, and frankly, I see her as a very strong character. Do other people see her as someone who sacrifices? Absolutely, but I’ve never written her that way, and it actually took me by surprise.”
— “Breaking Dawn” screenwriter Melissa Rosenberg (who also wrote the three previous flicks) on a debate in this film between the Cullens about whether to call the vampire-thing in Bella’s belly “baby” or a “fetus.”
I have not seen this latest movie yet, but frankly I am surprised a fetus vs. baby debate would take place in a series with such a conservative reputation. However, I also wonder if it was calculated on Rosenberg’s part to call herself a “pro-choice feminist” here, since “Twilight” has lonnnng been bashed for being unfeminist. [NYmag.com]
Contact the author of this post at Jessica@TheFrisky.com. Follow me on Twitter at @JessicaWakeman.